Gurudev Rabindranath Tagore

Poems and pictures

middle aged man in Rajasthan

Gurudev Rabindranath Tagore, the mystic poet and India’s first and the only Nobel laureate in literature, had his life dedicated to social causes We are ever grateful for his gracious uplifting of the downtrodden and the oppressed women and highlighting the tragic incidents of the so-called low-caste people of India. 

‘Punishment’, one of his more powerful books with a social message for corrective measures, is a treatise on social horrors.

But, it is his Nobel-winning book, Gitanjali, that deals with divine and human love, and makes him a messenger of peace and love across the globe. 

With his “song offerings”, Tagore turned himself into an instrument in making the world realise that truth is God and God is truth.

Holi fest. Inzamam Azez Raad

Tagore stood for humanity and humility, and for him God did not dwell in temples and other places of worship; for him God was with the poor and the workers and the tillers in the field. In other words, Tagore wanted to make us realise that work is worship and, therefore, God’s presence is among the humble and those who toil for an honest and truthful living.

Depy’s photos –

Rabindranath Tagore believes that God pervades the whole of the human existence and man is nothing but an instrument in the hands of God, a servant whose duty it is to carry out the commands of his master. The human body is like a frail of a vessel which God empties again and again and then fills it ever with fresh life. Man dies and takes birth in another shape. In this way, human life is constantly renewed. this shows Tagore’s faith in the Hindu doctrine of transmigration.


He compares his body to a flute, made of reeds. God is the musician and He plays upon it everywhere, over the hill, as well as, in valleys. He always plays new and fresh melodies. Tagore believes it is under divine inspiration that he is always able to sing fresh and new songs. As God is everywhere and in every object of Nature, he gets His inspiration everywhere and sings over hills and dales.


Whenever God touches his soul with His immortal hand I.e. whenever He inspires him, he sings with immense joy, forgetting his own physical limitations. He loses his identity in his union of man and God, the eternal soul gets absorbed in Infinite.


God’s bounty knows no limit. His gifts are numerous and He has scattered them everywhere for ages. But the human soul is too little to enjoy in full abundance and profusion of divine bliss. again human soul is compared to a little child, whose hands are too small to hold the gifts which his parents offer to him. God has been bestowing His gifts upon His slaves for ages and still, His blessings are not exhausted. God’s gifts are endless.

Radha Krishna

This is the first poem from the collection of poems “Gitanjali” by Rabindranath Tagore.

Thou hast made me endless, such is thy pleasure, this frail vessel thou emptiest again and again, and fillest it ever with fresh life.
This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.
At the immortal touch of thy hands, my little heart loses its limits in joy and gives birth to utterance ineffable.
thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still, there is room to fill.

Deliverance is not for me in renunciation.

Deliverance is not for me in renunciation.
I feel the embrace of freedom in a thousand bonds of delight.
Thou ever pourest for me the fresh draught of thy wine of various colors and fragrance, filling this earthen vessel to the brim.
My world will light its hundred different lamps with thy flame
and place them before the altar of thy temple.
No, I will never shut the doors of my senses.
The delights of sight and hearing and touch will bear thy delight.
Yes, all my illusions will burn into illumination of joy,
and all my desires ripen into fruits of love.

~Tagore

Curious eyes

Just a taster for anyone unfamiliar with Rabindranath Tagore and his wonderful creative spirit and genius.

Shams of Tabriz – Persian Sufi, roaming dervish and Scholar

Rumi

Rumi: “… And Your Soul Trembled”

by  Anne bayliss | Nov 9, 2019

Readers familiar with the Coleman Barks versions of Rumi’s work think of Rumi as a man who deftly celebrated love’s ecstasies… and he did. To imagine, however, that Rumi wrote verse only to praise wine or kisses, is to forget that he evoked those human delights as metaphors for something transcendental. Rumi was a devout Muslim cleric, and he wrote in celebration of unity with God. Yet even in his day, his personal life caused misunderstanding and scandal.

– Anne Bayliss

What do we know about Shams? He is mentioned only briefly and, often, only as the teacher of Rumi. But Shams, was more than just a wandering dervish or “poor man of God.”  A Shafi’i Sunni Muslim, he had traveled restlessly after leaving his hometown of Tabriz, visiting Baghdad, Damascus, Aleppo, and other places, working as a tutor, weaver, or day-laborer, and seeking out interesting lectures on Islamic theology as well as philosophy. 

Yet, according to Franklin Lewis, author of ‘Rumi, Past and Present, East and West’, Shams was also an accomplished Islamic scholar, and had devised a method for learning the Koran in three months. He was thus both a faqir, a Sufi practicing spiritual poverty, and a faqih, or scholar of Islamic law. Lewis suggested that Shams had “probably spent much of his life…sitting in on the lectures of famous teachers, most of whom he found disappointing in one respect or another.”

In the company of Rumi, Shams wrote, “‘I come for friendship, relief.’” According to some writers, “Shams searched long and hard and found none but Rumi who could tolerate his un-hypocritical and unconventional pursuit of truth.” Shams called Rumi “Mowlana (Master),” and says he would be “‘a fitting shaykh, if he would agree.’” 

Lewis, Franklin: Rumi Past and Present, East and West.

from Oneworld (2000) pp. 143-147
[3] Lewis pp. 154-164

Last Sai Baba Darshan

 

blessings

“God is in you,

around you.

behind you,

beside you.”

★ ✿ Ṱℏαᾔк УỚυ ✰✿ ♥ ♫ ♥ ☼ ´¯`•.♥ღℒℴνℯღ ☆ ★ ♥

 

 

My last darshan, I kid you not, was in my armchair in my house in France. The date, 24th November, 2010. I was watching t.v, and the time around 5.30 p.m. Then, all of a sudden, Sai’s presence was right there beside me, although not visible. The Darshan almost knocked me off the chair!  I had to go and lay down afterwards. It was such a lovely feeling of peace and being extremely comfortable. So hard to describe here. Anyway, I could not speak for about  20 mins. That’s how strong the feeling of his presence was.

How I remember
Sai Baba

 

The story of that last darshan goes as follows :

Early that same year, March 2010, during my annual  visit to Puttaparthi, I was sitting in the darshan area. Sai Baba was not coming out for darshans, he’d all but given up on public appearances. We devotees gathered all the same and sat in the peaceful vibrations, just as we had always done. Although we missed him, the feeling of love was ever present.

There were acquaintances there who i used to talk to from time to time. Most I knew by name but others only by sight. One devotee, a blond lady from Australia, around 58 years old, very dedicated to Sai, was visiting at the same time. I had seen her on many of my past visits. She sat opposite me by the chair ladies. I didn’t  know her personally. I’d never spoken to her. Then one morning she sat across from me, in her usual place near the wheelchair devotees. Suddenly, she looked over at me with huge eyes. I could feel her stare penetrate me, like she was looking at my soul. It was the oddest feeling. When darshan time was over we all stood to leave. She followed me out of the hall, then caught up with me and said: 

me in 2008


You must come for the birthday! It’s a very special time. Do come.— I am not sure she did not elaborate more or repeated it. But what she said stuck in my mind as odd, as did her strange penetrating look.

 


Well, there’s no way I would or could attend a birthday. I don’t like crowds and I didn’t have the money anyway. I never did attend those birthday festivals. Still, i had no idea that the next birthday would be Sai’s last. I thought no more about it. Then all those months later, 24th November, the armchair darshan happened. Out of the blue! I will never forget it… By the way Sai baba’s birthday is 23rd November, my last darshan was 24th November, the day after..

Okay more memories later. Eve

The Nativity – A Beautiful Light Within

 

What has become of Christmas? With the true meaning lost within the busy quest for self-gratification, there is little time to read of study the real meaning of Christmas, yet our very survival on this planet depends on us elevating our hearts and soul to another level, one where ME becomes we….The soul of man today dwells in unrelenting noise that drowns out all contact with that blissful inner harmony that can only be found in inner silence. This inner and mystical silence wherein the purest spiritual state can be achieved is the Silent Night…”

 

beauty of the arts

The Nativity

In the Christian story of the “Nativity”, the King of Kings as the Son of God is born in a stable among the beasts of burden. This most noble and glorious of Beings is depicted as being born in the most lowly of abodes. His room is a manger fit for animals, his bed is made of straw, his source of heat is the very breath of the beasts that so very wilfully share their quarters with him. The stable is not a castle or a mansion. The Shepherds are not noblemen and there are no servants waiting on him. Why does this most glorious, exalted and long awaited wonderful event transpire through such humility, modesty and lowliness? Why this event is called the Silent Holy Night?

This image of the divine child is a most beautiful symbol revealing very profound principles and truths. The stable sheltering the beasts represents the material aspect of our beings as that which belongs to the body, form and matter. It is that which belongs to the physical self, which houses the animal appetites and the desires of the senses. It corresponds to that which is the lowest aspects of our being, that which binds us to the earth. Just as the blooming of the beautiful sacred lotus flower on the surface of the waters has its roots below the surface anchored in the mud underneath, so too our highest spiritual understanding is rooted in that which is the lowest in us.

The comforting warmth given off by the breath of the beasts is allegorical of the alchemical fire of the vital force resident within every cell in our body. It is this fire that incubates the divine child within us. The darkness of the Holy Night represents the unconscious mind that has begun to be illuminated by a star which the Magi seek to behold and follow to the manger. If we meditate on this beautiful picture of the kings of the East adoring the Divine Child, we realize a beautiful image. The stable is no longer perceived as something lowly when divinity has found abode within it. The radiance of this infant as the unfolding and birthing of a man-god reveals the consummation of the alchemical wedding of heaven and earth. What a beautiful and sacred temple our lowly stable has become as we realize a most wonderful presence within its simple and humble manger! What a blessed and sacred temple the body of man truly is!

The soul of man today dwells in unrelenting noise that drowns out all contact with that blissful inner harmony that can only be found in inner silence. This inner and mystical silence wherein the purest spiritual state can be achieved is the Silent Night. If we keep vigil, and we receive the higher grace of God, then we will become conscious of that Holy Night, where we will perceive the star of the Magi and follow it to its crib in the manger as the inner depths of our beings, and there behold the new born Divine Infant representing our birth into a new and higher spirituality. In this way we will realize our own divinity as our inner master reveals himself and manifests his light into the world.

Merry Christmas and All Best Wishes to all. ~ Steven Kalec

 

Divine Memories Of Bhagwan Sri Sathya Sai Baba – TheTrueSai – Weebly

 

 

Everywhere around I am here with you. Find me in the Temple, find me in the walls, the floor, the nooks and crannies of every corner of the darshan hall – I am there. I permeate every inch of the ashram and all around even outside. I have not gone anywhere. Feel my darshan in the silence and the emptiness of the ashram’s  farthest corner for  I am there also!

https://thetruesai.weebly.com/

My photo 2014

We couldn’t find anything for profound words – “I am not going anywhere” – those words almost silent, came so unexpected and out of context from the divine in human form one darshan morning,  left author Diana Baskin clueless for quite sometime until it dawned upon her, the greater truth, after bhagwan physically passed on. Read on Diana Baskin’s reminscence of the momentous revelation, published in Sanathana Sarathi, November 2011.   She writes:

“When swami left his body, he left a deep empty space in my heart and since that unforgettable day I have asked him to fill the steady pain of emptiness with his love. Swami, the heart core of our life swami became my guru when i first came to india in 1969, taking on the task of teaching me the principles of a spiritual life by building a solid foundation rooted in dharma. later, he became my mother, taking over the task of nurturing, acceptance and unconditional love. finally in 1979, Swami took the role of father by introducing me to my husband, Robert, performing our marriage ceremony and extending his strong hand of support and gentle loving guidance throughout our marriage. Swami was the heart core of our life. For the past 40 years, our life centred solely upon him and the anticipation of our trips to India that brought us in his physical presence was our nourishment. My husband and I were devastated and heartbroken as we lost all at once our guru, our mother and our father. but swami did not teach us to be weaklings and even in the midst of sorrow his teachings rushed to my side, giving me strength and support while gently reminding me that there was a limit to everything.

 

When the husband of our friend died, swami said to her that she could mourn his death but only for a short time; after that, she needed to let go of her sorrow. otherwise, she could not lead a purposeful and useful life. The last words of swami i understood intellectually on one level,  that to honour swami and his teachings, i needed to put them into practice, be a master of my emotions and keep my focus on positive and constructive thoughts. While this helped to some extent, it was not enough. I still longed to re-establish the direct heart-to-heart link with swami that gives joy to life.  Swami had not only foreseen the problem i would encounter but in his infinite compassion had given the solution, unbeknownst to me, shortly before leaving his physical body. one morning, after bhajans as swami was returning to his residence, his car stopped in front of me and as the driver lowered the window, swami motioned for me to come forward. His voice was decidedly faint and I had to lean into the car and read his lips to grasp his words. At the end of our brief conversation, he said something so unusual and out of context that i had to ask him to repeat it. these were the last words swami ever spoke to me. For the year that followed, I pondered his words and questioned their meaning but failed to find the reason why he voiced them at that time nor could i find any sort of veiled connotation they might imply.  It was not until a few weeks after swami passed, in the midst of great sorrow and mourning that like a thunderbolt from the heavens it hit me! not only did I understand what he meant from the deeper perspective of Advaita but a mere remembrance had the power to re-establish the precious heart-to-heart link and fill my heart with love. The powerful words of truth, love and wisdom that Swami sweetly whispered were: “i am not going anywhere.” ii samasta lokah sukhino bhavantu ii”

 

~The late Diana Baskin who died on 10 Oct. 2010

 

The Dweller On The Threshold – Quote From The Tibetan

….

 

Interesting piece from “The Tibetan”  Methinks this needs to  be posted on my blog today. Sorry folks not to have been posting my usual stuff this year, I have two cataracts, one on each eye,  both need to  be removed. Must say cataracts are horrible, they restrict my writing and reading. I will be happy when they are gone and my eyesight is restored. I  cannot wait until I can see well again and I will be able to write again with confidence. The photos used for this post are from a Face Book page, sadly I forget the titles of the images. Sorry.

A little about the Dweller on the Threshold for your interest.  –  “The Dweller on the Threshold is illusion-glamour-maya, as realized by the physical brain and recognized as that which must be overcome. It is the bewildering thought form with which the disciple is confronted, when he seeks to pierce through the accumulated glamours of the ages, and find his true home in the place of light.”  I guess that does not explain  too well the inner significance of the Indweller  – here’s the link  http://www.esoteric-philosophy.net/dweller.html – 

 

THE DWELLER ON THE THRESHOLD

“The Dweller on the Threshold is illusion-glamour-maya, as realized by the physical brain and recognized as that which must be overcome. It is the bewildering thoughtform with which the disciple is confronted, when he seeks to pierce through the accumulated glamours of the ages, and find his true home in the place of light.”

“The Dweller on the Threshold does not emerge out of the fog of illusion and glamour, until the disciple is nearing the Gates of Life. Only when he can catch dim glimpses of the Portal of Initiation and an occasional flash of Light from the Angel of the Presence, Who stands waiting beside that door, can he come to grips with the principle of duality, which is embodied for him in the Dweller and the Angel. . . . As yet, my words embody for you symbolically a future condition and event. The day will surely come, however, when you will stand in full awareness between these symbols of the pairs of opposites, with the Angel on the right and the Dweller on the left. May strength then be given to you to drive straight forward between these two opponents, who have for long ages waged warfare in the field of your life, and so may you enter into the Presence where the two are seen as one, and naught is known but life and deity.”

“The Dweller on the Threshold is oft regarded as a disaster, as a horror to be avoided, and as a final and culminating evil. I would here remind you, nevertheless, that the Dweller is ‘one who stands before the gate of God’, who dwells in the shadow of the portal of initiation, and who faces the Angel of the Presence open-eyed, as the ancient Scriptures call it. The Dweller can be defined as the sum total of the forces of the lower nature, as expressed in the personality, prior to illumination, to inspiration, and to initiation. The personality per se, is, at this stage, exceedingly potent, and the Dweller embodies all the psychic and mental forces which, down the ages, have been unfolded in man, and nurtured with care. It can be looked upon as the potency of the threefold material form, prior to its conscious co-operation and dedication to the life of the soul, and to the service of the Hierarchy, of God, and of Humanity.

The Dweller on the Threshold is all that man is, apart from the higher spiritual self; it is the third aspect of divinity, as expressed in and through the human mechanism. This third aspect must be eventually subordinated to the second aspect, the soul.”

“Memory . . . is not simply just a faculty of the mind, as is so often supposed, but it is essentially a creative power. It is basically an aspect of thought, and – -coupled with imagination — is a creative agent, because thoughts are things, as well you know. From ancient recesses of the memory, from a deeply rooted past, which is definitely recalled, and from the racial and individual subconscious (or founded and established thought reservoirs and desires, inherited and inherent) there emerges from the individual past lives and experience, that which is the sum total of all instinctual tendencies, of all inherited glamours, and of all phases of wrong mental attitudes; to these, (as they constitute a blended whole) we give the name of the Dweller on the Threshold. This Dweller is the sum total of all the personality characteristics which have remained unconquered and unsubdued, and which must be finally overcome before initiation can be taken. Each life sees some progress made; some personality defects straightened out, and some real advance effected. But the unconquered residue, and the ancient liabilities are numerous, and excessively potent, and — when the soul contact is adequately established — there eventuates a life wherein the highly developed and powerful personality becomes, in itself, the Dweller on the Threshold. Then the Angel of the Presence and the Dweller stand face to face, and something must then be done. Eventually, the light of the personal self fades out and wanes in the blaze of glory which emanates from the Angel. Then the greater glory obliterates the lesser. This is, however, only possible when the personality eagerly enters into this relation with the Angel, recognizes itself as the Dweller, and — as a disciple — begins the battle between the pairs of opposites, and enters into the tests of Scorpio. These tests and trials are ever self-initiated; the disciple puts himself into the positive or conditioning environment wherein the trials and the discipline are unavoidable and inevitable. When the mind has reached a relatively high stage of development, the memory aspect is evoked in a new and conscious manner, and then every latent predisposition, every racial and national instinct, every unconquered situation, and every controlling fault, rises to the surface of consciousness, and then — the fight is on.”

….

 

“The Dweller on the Threshold, always present, swings however into activity only on the Path of Discipleship, when the aspirant becomes occultly aware of himself, of the conditions induced within him as a result of his interior illusion, his astral glamour, and the maya surrounding his entire life. Being now an integrated personality (and no one is disciple, my brother, unless he is mental as well as emotional, which is the point the devotee oft forgets) these three conditions . . . are seen as a whole, and to this whole the term ‘Dweller on the Threshold’ is applied. It is in reality a vitalized thoughtform — embodying mental force, astral force and vital energy.”

– Djwal Khul, ‘the Tibetan’

 

No One Knows Me! – A Devotees Story From Long Ago.

Sathya Sai Baba in the early days. Under the old Banyan Tree in Whitefield.

 

A brilliant Indian student by the name of Vemu Mukunda had taken science courses at universities in India. Then he left his motherland to conduct post graduate research in Scotland. He took a job in England working in the field of nuclear science. Although outwardly he seemed to have successfully established himself in his chosen field, yet he was not happy. He had left his family, friends, and culture behind and now found himself living in an environment where the advancements in technology were considered the highest goal and his only social life consisted of attending endless rounds of cocktail parties. He felt his life was empty and without purpose and this feeling came to a crisis point when his brother and sister both died back in India. Furthermore the negative use of nuclear science to build weapons of mass destruction weighed on his conscience and made him question his choice of career. He began to sink into a state of chronic depression which was only briefly relieved by the release he felt when he made music on the Indian stringed Veena that he had played since childhood.

 

It was during that period of black despair that a series of strange incidents occurred to bring a new influence into his life. By coincidence, a mutual friend in London had a veena at home that was badly damaged and when he heard of Vemu’s skill with the instrument he invited him to his home to see if he might be able to repair the instrument. Vemu went to the home along with some friends and indeed found the instrument so badly damaged that he was completely unable to get any pleasant sounds out of it at all. However he agreed to take the instrument back to his home and see if he could repair it.

On the way home, the friends who had brought him wanted to stop at a house where they knew the residents were conducting Sai Baba bhajan sessions (sacred singing). Though Vemu had no special interest in doing so, since he was riding with them he went along with the plan.

When they arrived at the house and went in, he saw a picture of Sathya Sai Baba on the wall and immediately had the thought: “Oh, no not him”. His parents had been followers of Shirdi Sai Baba and they felt that Sathya Sai Baba, who claimed to be the reincarnation of Shirdi Sai Baba, was an imposter and so Vemu had also taken on this attitude. Shirdi Sai Baba left his body in 1918 and many of his original followers were unwilling to believe that he had taken on the Sathya Sai form eight years later (Sathya Sai was born in 1926) even though Shirdi Sai Baba had told his followers just before his death that he would take birth again eight years hence.

Vemu had no interest in the bhajans and so he sat behind the other singers and took no part in the singing. However during a lull in the bhajans the hostess put a veena in his hands and asked him to play something. In an abstracted mood he began to strum the instrument and presently a tune came into his head and he began to play. The others very much enjoyed his playing and when the song ended they asked him to play another song. He agreed, playing the first tune that came to mind. At the end of the second song, he suddenly realized that the two songs he had just played had been composed by two different Indian Saints but the titles of the songs had the same meaning in the respective languages of the composers: “No One is Equal to You”.

Now Vemu looked down at the veena he had been playing and realized that it was the badly damaged one he had been taking home to repair. But mysteriously, every note he had played on it had been completely harmonious. Now he tried to play it consciously and not a single harmonious note would come out of it. He began to feel as if something miraculous had occurred and he felt the hair on his head standing on end.

He thought to himself: “Sai Baba! What power. Is he a black magician?”

After this incident Vemu began to get invitations to play professionally. He accepted whenever it fit into his schedule and strangely, wherever he played he would run into someone who would talk about Sathya Sai Baba. At home his friends in London kept pressing him to attend Sai Baba bhajan sessions. He began to feel that he was being pursued by Sai Baba!

Vemu had been schooled on the principles of science and so his confidence was more on the field of matter than that of the spirit. He felt that the realm of spirit was only a way by which some people escaped from harsh reality. And yet some part of him wanted to proceed into the spiritual realm while the other part wanted nothing to do with it. His mental torment increased and he felt himself being torn in two different directions. He continued to resist the spiritual impulse and yet, the world of physics and materialism had lost its charm for him.

Finally in a state of complete desperation he sat down and addressed a letter to Sathya Sai Baba at his residence at Prasanthi Nilayam. Although he had heard that Sai Baba does not answer directly by writing back, it was said that he would provide the answer in some more direct form. He poured out his heart’s dilemma asking Sai Baba if he should continue in his chosen profession of nuclear engineering, quit and become a full time musician, or renounce the world and become a religious devotee (Sannyasi).

As he boarded a flight to Paris for a Veena concert, he wondered how and in what form he might receive a response to his letter but nothing unusual happened on the trip. On his return to London, he began to feel an inexplicable urge to visit the same home where he had played the damaged veena during the bhajan session. This was curious to him since he didn’t even want to go there the first time. He ignored the urge for a while but finally gave in. Approaching the house, he noticed the “Om Sai” written on the front of the house. The owner of the house, Mrs Sitabai, greeted him at the door and told him she was very glad he had come because she had something for him. They went to the shrine room and she handed him a photograph telling him an unknown visitor had attended the last bhajan session and had asked that the picture be given to Vemu as soon as possible. He looked at the photograph and saw that it was a picture of Sathya Sai Baba playing the veena!

He was immediately overcome with emotion and surrendered to Sai Baba by prostrating before the large photo of him on the wall. Tears of emotion ran down his cheeks. He knew now that he had his answer. He soon quit his job and became a full time musician. His reputation as a skilled veena musician spread and he began to get calls from all over Europe, including as far away as Russia. He felt that somehow his sudden success was due in part to the guiding hand of Sathya Sai Baba and he began to feel that he wanted to return to India and visit him. At about this time his mother and father were also asking him to return to India to see them and so he began to think seriously about making the trip home. But at the back of his mind was a fear that all the events were just coincidences and the result of his own imagination and that Sai Baba might refuse to see him. It would be a great disappointment to him if Sai Baba ignored him.

He decided to write to a friend and have him ask if he should come to visit Sai Baba. Soon afterwards he had a vivid dream in which Sai Baba came to him and rubbed his sacred ash (vibhutti) on his left shoulder beneath his shirt and said to him: “Come to India”. When he awoke the dream seemed very real but he still felt that it might have been created out of his wish to go to India to see the great teacher. After several days of struggle he made up his mind to go so he canceled all his performance reservations and took a plane to India.

When he arrived at Swami’s (i.e. Sai Baba’s) residence he took his place on the grounds at the end of a line of men. One of the devotees told him that he had arrived just in time for Darshan, in which Sai Baba circulates among his devotees giving sight of a holy person. Vemu sat quietly enjoying the feeling of peace that emanated from the place and waited patiently. Soon there was a stir at the other end of the lines and he caught sight of the orange colored robe of Sai Baba as he circulated slowly, gracefully among the devotees, stopping briefly to talk to some, to create vibhutti for some lucky ones, or to take letters from others. As Sai Baba got closer, Vemu felt his excitement and anxiety increase. As he saw the robe and delicate feet approach him he could not bear to look directly into his face, encircled with a halo of hair and so he cast his glance downward onto the ground. His heart was in his mouth and his body became rigid as he noticed the feet approach ever closer. Vemu had written a letter to give to Sai Baba but he had completely lost his wits and did not even think to hand it to him. He felt Baba take the letter from his hand and then he raised him up and he heard him say in a quiet voice: “Go inside and wait”.

Vemu went inside and when at last he faced Sai Baba alone in the interview room, Sai Baba created vibhutti for him and rubbed it on his left shoulder under his shirt just as he had done in the dream. Then Sai Baba began to discuss the obstacles in his life showing complete familiarity with his career struggle, his desire to play the veena, his depression, and other details of his daily life. As the talk ended, Baba circled his hand and produced out of air a five faced rudraksha bead in a gold setting at the end of a gold chain. He gave it to Vemu to wear constantly and told him that he would have great success both in his new career and in his spiritual progress. He then invited Vemu to play the veena at a musical concert to be held at the Sathya Sai College in Brindavan.

When the time of the concert came, Vemu brought along his eighty year old father who had been a close devotee of Shirdi Sai Baba. His father told the son he would just sit outside on the outer grounds and wait. But when Sai Baba learned the father was present he immediately called him inside and in Vemu’s words: “For a whole hour Swami talked to my father like a loving mother to her child. After that my father was a changed man.” Now the entire family, Vemu’s father, mother, brother and all the other members of the family are followers of Sathya Sai Baba.

From a story that appears in its original form in Sai Baba, Avatar by Howard Murphet. Birth Day Publishing. San Diego, CA.

This book contains a whole collection of devotee’s stories as well as the personal experiences of the author with Sai Baba.

When the Guru Is Gone – Sathya Sai Baba

Offering of Flowers To Sathya Sai Baba

What happens, then, when the guru dies or goes away? How do disciples cope with the absence of the one whose living and loving presence has opened for them the door to their own heart, the one through whom all reality has been filtered, and their own self understood? The disciples of Jesus, Palestinian Jews living at the beginning of the Common Era, and the disciples of the Indian Hindu guru Neem Karoli Baba, both Indians and Americans in 1970’s India, were both forced to negotiate the absence of the guru. These two groups of devotees,  separated by almost 2,000 years in time and more than 2,500 miles, in land mass, inhabited very different cultures. They told stories about their gurus that help us understand the evolving meaning of the body of the guru—both in its presence and its absence. It is an interesting tale of sameness.

In looking at what devotees have chosen to recall we come to see what the disciple community finds destabilizing in the guru’s physical absence as well as how that absence can be overcome; how the pain of loss of the “non-dual reciprocity” of guru and disciple is eventually transcended through a new understanding of the body of the guru. A process that many people face today while  recovering from the loss of Sathya Sai Baba, who many worshipped and adored.

In the Absence of the Body: Discipleship When the Guru Has Gone

 

An ancient axiom holds that when the disciple is ready, the guru will appear.  Much less is said about what happens when the guru disappears—and for this, disciples are rarely ready.  It is often a more traumatic event than the death of a parent or spouse or child, because the relationship between disciple and guru is of a different nature than relationships with parents, lovers, friends, or one’s own children.  While all these relationships can involve deep and selfless love, the love of the guru (in both the genitive and objective sense) becomes the lens through which the disciple understands the self, the other, and the world. And at least initially, the locus of this love is the bodily presence of the guru.

The guru not only shows the way, but is that very way.  “I am the way, the truth, and the life,” is how Jesus’ disciples remembered him.

Abhishiktānanda, a modern Roman Catholic monk initiated into Indian advaita by his guru, Gnānānanda, writes that “Guru and disciple form a dyad, a pair, whose two components call for each other and belong together.  No more than the two poles (of a magnet) can they exist without being related to each other.  On the way towards unity they are a dyad.  In the ultimate realization they are a non-dual reciprocity.”

 

How and Why We Remember

Gospel scholars talk about the “messianic secret” that describes how Jesus in the Gospels tells his disciples not to talk about his deeds of power or identity as the Christ, but to keep these things silent. Scholars often interpret this “secret” as a literary device (especially in Mark) employed to explain why, if Jesus was working all the wonders reported in the narrative, all of Israel did not come to believe in him, or at least know of him in his lifetime.3

In collecting the early stories of Neem Karoli Baba, Ram Dass encountered a modern corollary of the messianic secret. He writes that it took a number of years for Neem Karoli Baba’s Indian disciples to openly share their stories of Maharajji (as Neem Karoli Baba was known) due to his own directive that he should not be spoken about to others. There are stories of Maharajji ordering the burning of a collection of stories about him and of his tearing up a manuscript of an article on him. Neem Karoli, much like Jesus, ordered those who witnessed miracles effected by or through him never to speak of them. In the case of Neem Karoli Baba, this reticence is certainly not a literary device. Can it be that for Jesus, too, the “messianic secret” was real—and not a device of the Gospel authors?

We have similar instances of both teachers rebuking those who would compliment or draw attention to them. When his contemporary, Deoria Baba, said that Neem Karoli was an incarnation of love, Maharaji responded, “Why, that wicked man! What does he know? Who does he think he is?” Jesus, when called “good teacher” by an inquiring outsider, answered, “Why do you call me good? No one is good but God alone.” Both of them were opposed having their deeds recorded, and yet their disciples felt the need to do so when they were gone.

Both maharaj and Jesus often complained that their disciples did not truly understand their message, or even who they were. Yet, in spite of the guru’s admonitions, the community of disciples feels responsible for interpreting him to one another after his disappearance, and for preserving/creating a body of material through which the guru will become known by others. The gathering together of such stories offers those who experienced them a way to process the events of the past and gives new generations the possibility of experiencing an awakening similar to that of those who lived in the presence of the guru. In theological language this is called anamnesis, a remembering that makes real in the present the being or event that is being recalled. Anamnesis is one attempt at making the disappeared body of the guru present again.

Now we have the same with Sathya Sai Baba, while alive he complained that his followers failed to understand him. He called himself an enigma, one who could not be known. His passing six years ago, came as a surprise to his community and left them in shock. How did they deal with his passing? On the surface, not very well. While some carried on just as before, holding on to their past habits and routines they had build up during their time with the guru, others floundered. Many left to find another guru or to find solace in a former student and imposter.  Although, I feel that a certain Anamnesis has taken place and the steadfast following will overcome the humbug following, in making  the guru’s Temple and Ashram, the guru himself.

 

Excerpted from Parabola: Where Spiritual Traditions Meet, Vol. 37, No. 3 (2012).

 By James H. Reho 

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The key is in understanding that the physical body is only an instrument of the divine. It is not forever. What was it that Sathya Sai Baba said so well ? “You are not the body.” “Drop all attachments to the body and its desires.”  I feel that includes all physical attachment to Sai Baba’s form also. ~  More importantly He said and I quote:  “At first, name and form are essential, that is the reason why Avatars come, so that God can be loved, adored, worshiped, listened to and followed, and finally realized as nameless and formless.” And to end on a happy note, a beautiful video of darshan with Swami to the huanting music of Secret Garden.